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Dean Hampton

SPRING INTO SUMMER
It's summertime again and the jazz is cooking in Kansas City. The scene began to warm up in April and May, and in the past two months there have been several great hot licks to report.


Kerry Strayer (left) and his mentor, Gary Foster, at the Blue Room on April 24.

An Important Mentor
On Thursday, April 24, one of the best places in town to hear jazz was the Blue Room for the formal release of Kerry Strayer's new CD, Mentor (reviewed in "For the Record"). What a wonderful treat it was to hear the "mentor" himself, saxophonist Gary Foster, who is both Strayer's former teacher and a longtime role model.

If you remember the opening theme of the late Dick Wright's Saturday morning jazz show on KANU-FM, you would have felt right at home as Strayer, Foster and company kicked off the release party with Gary's composition, "Saturday 10AM."

Another Foster original, "Sweet Lips," gave Gary the opportunity to tell the story-behind-the-story -- sometimes one of the best parts of any CD release event. Foster explained that as a child with his first clarinet, he would listen to the music of the Glenn Miller Orchestra on the radio and hear the beautiful clarinet of Wilbur Schwartz. Young Foster pretended that he was playing the song and always dreamed of being able to do it just like Schwartz.

Many years later, when doing studio work for the Carol Burnett Show, Gary and Wilbur shared the reed section work together. Schwartz was then known as "Sweet Lips," so, upon his death, Gary wrote this tribute tune for him. (According to Strayer, Gary had recorded the tune before on alto, but never on clarinet.)

Your jazz collection will be enhanced with fine music when you add this CD to it. Preview and buy Mentor online (via PayPal) at Kerry's web site, kerrystrayer.com.


A Sivilized CD Release
On Saturday, April 26, Gary Sivils and crew also took to the Blue Room stage to play the set list from Sivils' new CD, Songs Forgotten in the Morning (also reviewed in "For the Record"). Joining the cornetist were Paul Smith (piano), Bob Bowman (bass), Ron Vincent (drums) and Hal Melia (saxophone). If you've ever attended a Gary Sivils gig, you know that you can expect the music to be unparalleled and the sidebars between tunes to be just as interesting. That was the case throughout the evening and the packed house enjoyed every minute of it. Sivils' introductions of his band members were quite a kick. And many in the audience were surprised to learn that, even though Hal Melia appears on the CD, this was his first gig with Sivils. It sounded like they had played together for a lifetime.

On the other extreme, the musical relationship between Sivils and Paul Smith has lasted for more than 30 years. (A fan in the audience pointed out that this is longer than all of Gary's marriages combined!)

Pick up Songs Forgotten in the Morning. You will be delighted.

Great Jazz on the Web
I recently visited the new Ron Carter web site -- roncarter.net -- and immediately judged it to be among the very best jazz artist web sites on the 'net. Both the music and the graphics are fantastic. Without a broadband Internet connection, however, I might not feel as strongly. If you do have broadband (cable or DSL), it is worth a long visit. I could spend hours there just listening to the great music -- whole albums -- that streams for free. Even without the fast connection the site is worth a look and a listen. But you'll have to prepare for a longer download time. Either way, you will also need the Flash plug-in, which you should have if your computer is less than three years old.

Jazzpins!
Lately, I've been seen at jazz events wearing various jazzy lapel pins. A few times I have had to nearly hide them to keep them from others who would love to take them away from me. These pins come from Mel and Carolyn Wanzo of Detroit, MI. Mel and Carolyn are great lovers of KC jazz and visit us at least once a year, usually at the conclusion of the Detroit Ford Jazz Festival in which Mel usually performs.

Mel, a Grammy winning trombone player, spent over 40 years on the road playing and recording with many of history's greatest jazz artists, including Duke Ellington, Ella Fitzgerald, Frank Sinatra and Sarah Vaughan. He is most widely known as the longtime lead trombonist for the Count Basie Orchestra (1969-96). Prior to that, he performed with Woody Herman's Swinging Herd (1966-68) and with the Glenn Miller Orchestra.

The Wanzo's collection of over 100 jazz pins -- available at jazzpins.com -- includes several categories: Artists (Bird, Mingus, Basie, Ellington, Monk, Dizzy, Lady Day, Ella and many more), musical instruments and symbols (sax, clarinet, flute, trumpet, trombone, drums/percussion, vibes, bass, violin, clefs, etc.), festivals, jazz-related places, and plain (but very attractive) "JAZZ and BLUES" pins.

In addition to wearing them just for fun, at $10 each they also make great gifts for your jazzy friends. You can start your collection today, once again at jazzpins.com.

Dean Hampton has been a member of the KC Jazz Ambassadors since 1990.


RETURN TO JUNE/JULY 2003 MAIN INDEX


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